This project reprocesses archival footage of The Dying Swan through a series of real-time visual transformations. The work explores the body as an expressive subject. The visual effects translate the swan’s gradual exhaustion into instability, where movement stretches, fragments, and begins to fall apart. By subjecting the body to processes of reduction and distortion, the work amplifies the sense of loss already embedded in the choreography, extending it beyond the physical body into the image itself.